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10/05/23 11:30 AM #284    

 

Reed Cosper

I waited twenty four hours to respond to respond. Glad I did.  I like a good screed.  That's why I seek out essays by Fenton O'Toole. This was not a good screed. In fact it was lousy.  The Gibson law suit, the personal opinion of an Obie coach on gender ambiguity, and hoarding Nazi loot in Allen have no connection, have nothing in common, and shouldn't be linked in a good screed. Connecting these disparate topics made me doubt the truth of the central claim. If the claim is even partly true, I coubt it's a simple matter.  And having just visited the Obie campus, and attended a classroom lectlure,  I cannot imagine anthinng Obrerlin College might do to induce me to stop contributing my wiidow's mite toward its survival into the futuire.  There. I said it.   


10/05/23 12:55 PM #285    

 

Reed Cosper

Apologies. If Oberlin is in fact concealing Nazi loot, I'd threaten to withhold my contributions. Reading a screed makes me write in screed style.


10/05/23 08:48 PM #286    

 

Gregory Pyke

Thanks to Steven Katz for his post (#276) about reunion, the current state of college governance and the efforts of AOV (Alumni for Oberlin Values). I wish I could feel more optimistic about the Board's news that they are starting a dialogue with AOV. I don't wish to denigrate the art form of tap but I think our Board Chair is a skilled practicioner of the form when it comes to seeming to communicate.


10/06/23 09:12 PM #287    

Ted Gest

Oberlin President Ambar told the Alumni Leadership Council today (October 6) that the college would make an announcement about the Nazi-seized painting. She didn't say when. Here is an Oberlin Review story about the episode from two weeks ago but it may be out of date. https://oberlinreview.org/30819/arts/art-seized-from-allen-memorial-art-museum

 

Stay tuned for more developments. Ted

 

 


10/07/23 07:51 AM #288    

 

Steven Katz

https://www.artnews.com/art-news/news/allen-memorial-art-museum-carnegie-museum-egon-schiele-fritz-grunbaum-1234681204/

This updated story appeared in 'ARTnews'

10/07/23 09:09 PM #289    

 

Robert Baker

Updating Steven Katz posting to give a complete link:  https://www.artnews.com/art-news/news/allen-memorial-art-museum-carnegie-museum-egon-schiele-fritz-grunbaum-1234681204/

Apparently, Allen Art Museum and Oberlin are returning the painting voluntarily in response to the subpoena.  The story does not go into Oberlin's previous legal position.

 


10/08/23 11:52 AM #290    

 

Steven Katz

Note: by way of background:

This story broke and was covered locally, regionally, nationally, and internationally in mid-September. This piece is from the NYTIMES.


'Schiele Works Believed to Be Stolen Are Seized From U.S. Museums'

Manhattan prosecutors contend that the art in question belongs to the heirs of a collector who was a Holocaust victim.


Tom Mashberg
By Tom Mashberg
Sept. 13, 2023
NYTIMES

New York investigators on Wednesday seized three artworks from three out-of-state museums that they said had been stolen from a Jewish art collector killed during the Holocaust and rightly belonged to the Nazi victim’s heirs.

The Manhattan district attorney’s office issued warrants to the Art Institute of Chicago, the Carnegie Museums of Pittsburgh, and the Allen Memorial Art Museum at Oberlin College in Ohio, for works by the 1900s Austrian Expressionist Egon Schiele. According to the warrants, “there is reasonable cause to believe” that the works constitute stolen property.

Prosecutors say the artworks rightly belong to three living heirs of Fritz Grünbaum, a prominent Jewish art collector and cabaret artist killed at the Dachau concentration camp in Germany in 1941.

The office refused to comment on the seizures, saying they were part of an ongoing investigation into about a dozen Schiele works they say were looted by the Nazis and trafficked at some point through New York. The warrants shift into criminal court a group of Holocaust art recovery cases that were being contested in civil court.

“Whether you are a plaintiff, prosecutor or defense counsel, attorneys are always looking for new precedents,” Mark Vlasic, an adjunct professor of law at Georgetown University and former United Nations war crimes prosecutor, said in an email. “This field of law is shifting so this move will no doubt make some parties quite nervous about how cases are resolved.”

The Schiele works are: “Russian War Prisoner” (1916), a watercolor and pencil on paper piece valued at $1.25 million, which was seized from the Art Institute; “Portrait of a Man” (1917), a pencil on paper drawing valued at $1 million and seized from the Carnegie Museum of Art; and “Girl With Black Hair” (1911), a watercolor and pencil on paper work valued at $1.5 million and taken from Oberlin. The art will be transported to New York at a later date.

In a statement, the Art Institute said: “We are confident in our legal acquisition and lawful possession of this work. The piece is the subject of civil litigation in federal court, where this dispute is being properly litigated and where we are also defending our legal ownership.”

The Carnegie said that it was committed to “acting in accordance with ethical, legal, and professional requirements and norms,” and that it would “of course cooperate fully with inquiries from the relevant authorities.”

The Oberlin museum did not immediately respond to a request for comment.

Before Wednesday’s actions, the Grünbaum heirs had filed civil claims not just against the three museums, but also against the Museum of Modern Art and the Morgan Library and Museum, both in New York City; the Santa Barbara Museum of Art in California; and several individual defendants. The plaintiffs in this case had filed claims seeking the return of other Schiele works at other museums.

In total, the plaintiffs are seeking to recover about a dozen Schiele works once owned by the Austrian-born Mr. Grünbaum and now in the United States.

The plaintiffs include Timothy Reif, a judge on the U.S. Court of International Trade; David Fraenkel, a co-trustee of Mr. Grünbaum’s estate, and Milos Vavra. One of their main contentions is that Mr. Grünbaum, an outspoken critic of German aggression during the 1930s, had been hounded by the Nazis into signing an unlawful power of attorney while at Dachau in 1938. They say he had never ceded rightful ownership of his collection, which was widely and illegally dispersed after the war.

In 2018, the plaintiffs received a favorable judgment with regard to the Nazi “power of attorney” that they hope will serve as a precedent. In the case of Reif v. Nagy in New York County Supreme Court, in which the plaintiffs won back two Schiele works, “Woman in a Black Pinafore” and “Woman Hiding Her Face,” Judge Charles V. Ramos found that “a signature at gunpoint cannot lead to a valid conveyance” of someone’s personal property.

A correction was made on September 13, 2023: Earlier versions of this article and its headline incorrectly described the status of legal proceedings involving three out-of-state museums. The Manhattan district attorney’s office seized works by Egon Schiele under a warrant stating that the art was believed to be stolen. The prosecutors did not file criminal charges against the institutions.

10/09/23 01:34 PM #291    

 

Ted Morgan

Belated thanks to Steve Katz for posting RIchard Spear's remarks on Oberlin's "evisceration" of the Finney Compact and the lead role of the faculty in College governance.  I couldn't agree more with Professor Spear.  [Interesting that he began his Oberlin career the same year we did.]  That was a fundamental step in the increasingly market-driven corporatization of Oberlin.

As Peter Griswold notes Oberlin is changing with the times; indeed higher education has been increasingly market driven and corporatized for years.  The problem, in my view, is that this exactly what today's world does NOT need --more the opposite of this: visonary, creative, critical-thinking, activist graduates seeking a much more democratic, just, and sustainable world.  This is what I remember and value most about the Oberlin we have known. My Oberlin education --within and outside of the curriculum-- was a crucial piece of what has made me an informed critic of an increasingly capitalist, militarized, and unsustainable world

As Professor Spear noted Oberlin was a top liberal arts college in the nation when he arrived in 1964, and it has declined fairly precipitously since then, in part because of the shift of many liberal arts institutions to co-education.  I've always felt there was something unique about Oberlin, and I suspect it had a lot to do with the kind of students it attracted --questioning, challenging, creative students imbued with a democratic spirit--and faculty drawn to teaching that kind of students.  Arguably the degree of faculty-led governance at Oberlin was part of its uniqueness.

I wonder today how much of that uniqueness still survives at Oberlin.  I'd be interested in how much the reunion attenders may have perceived these qualities in today's students and faculty, to the degree that you interacted with them.

 


10/10/23 12:02 PM #292    

Bill Natale

I recall having seen references to the faculty's rejection of a major academic improvement program that had been championed by a past president.  Does anyone have more details on this?  We might consider that there is another aspect of the faculty-governance model which perhaps has not worked to the school's advantage, and Oberlin's decline might not be fully explained by the triumph of its coeducational example or its bad luck in being a rural college in northern Ohio when coastal cities are all the rage.


10/10/23 01:14 PM #293    

 

Ralph Shapira

I can partly answer Ted's question.  One of the best parts of the reunion for me was the opportunity to attend classes.  Peter Griswold and I attended three classes, two in lecture format and the third a seminar, Advanced Literary Criticism, with about 20 students.  The seminar gave us a good look at the students.  It was skillfully conducted by two students, who in turn involved the entire class in discussion about`the James Joyce story "The Dead."  All the students were prepared, thoughtful and articulate; I was very impressed with them.  I didn't directly observe their political activism but the whole atmosphere of the place made me think it highly likely that they share the values and world-views that made Oberlin so special for us.

Incidentally, we would not have been able to attend classes and get to know students had the reunion been held over Memorial Day weekend, when school is not in session, as many of our classmates wished.  For future reunions, if I'm fortunate enough to attend, I fully support doing it on the fall homecoming weekend because of the opportunity for alumni to attend classes.


10/10/23 10:51 PM #294    

Peter Griswold

I agree with Ralph that the Advanced Literature Seminar was an impressive example of student-led discussions.  Most of the students participated with thoughtful analysis.  The pedagogy in the other two classes was traditional, with the faculty member talking for 50 minutes.  The instructor invited questions, but there were a limited number of students raising their hands.  With visitors to the classroom, the instructor may have felt that a lecture was the best format for us.  Perhaps in other meetings, there would have been a greater variety of learning activities - small group discusssions, media, a writing exercise, a quick turn and talk - that would have engaged the students and helped them process the information.  It surprised me too, that Oberlin still has the 50 minute classes that we had.  In my limited experience, colleges are arranging classes meeting fewer times per week, but for longer sessions, so there is time for lectures and guided learning activities to alternate.  


10/11/23 08:31 PM #295    

 

Edward McKelvey

Peter,

Classes that meet on Tuesdays andThursdays have 75 minutes per class.

 


10/12/23 07:32 AM #296    

 

Liz Ryan (Cole)

In spite of my serious concerns about Oberlin (yes!! to all Professor Spear's and Ted Morgan said and do check out the group https://alumniforoberlinvalues.org/),  I encourage students to consider Oberlin. During reunion I had breakfast with one of them, a young woman who grew up in Texas who is enjoying her first weeks there. Talking with her was encouraging and I got to hear about her muttiple wonderful classes, her new friends and see her energy and enthusiasm; that was a good part of going back. Unfortately for some of us it was not possible to sign up for classes. I don't know if it was a technological glitch or there simply were not enough slots for all of those of us who wanted to attend, but mostly being on campus when student were there was like being behind a thick glass window. We could see them but there was no intereaction.  If Oberlin is going to insist on keeping most reunions in the fall (and it sounds as if they are not very interested in exploring other options in spite fo the fact that the foks who are pushing fall reunions hard are the same people who livng in town or are the special people who get to stay on campus and dont' have to deal with the airport hotels, poor shuttle service, with no place to gather on campus.... I could go on), then they need to do a better job of helping alumni connect with students.  I see that yesterday an evaluation came out.  Look for it.  

 

 

 


10/13/23 12:56 PM #297    

 

Patrice Tarnoff (Goodkind)

LIz, I really appreciate your comment. I did not attend for multiple reasons this year, but having to stay off campus, etc., was a big one for me.

 


10/13/23 03:43 PM #298    

Judith Klavans

Yes, I didn't attend since I had family in town BUT the schlep factor was whatreally tipped the scales.  I love reunions and some of my best buddies were there so I was all prepared to go but that off-campus-figure-things-out issue really pushed me to stay away.  Too many arrangements, lots of overhead.

Thanks for your perspectives, Liz and others.

Judy


10/14/23 08:30 AM #299    

 

Liz Ryan (Cole)

can anyone tell me (and others) how to post photos?  not sure the photo gallery is the right place, but Daniel Miller has posted there so if you see this maybe you can let us know  thanks 

 


10/14/23 08:51 PM #300    

Myra Kiehle (Janus)

Over the years my husband Lincoln and I would stay overnight at the Oberlin Inn on our trips to and from the East Coast. . He was a Harvard Graduate, but loved visiting Oberlin and even talked about wanting to retire there. I was not enamored of that idea, but enjoyed our quick visits to the campus. I missed the 50th reunion because he was ill and in the hospital. I remember being told that when we reached a certain age, we too could stay at the Oberlin Inn for the reunion. I did not come this time, because I had other travel commitments and decided that to tack on the reunion and staying off campus was too much. In addition, Lincoln died two years ago and none of my college friends were attending. Covid was another consideration. Although I am fully vaccinated for everything,I was not excited about mixing with a whole new group of people. As an alumna, I am visited periodically by someone from the college and am expected to make donations, which I do periodically. I receive communications from the college telling both the good news and the bad, but I what I miss most is just visiting the campus, staying overnight and sometimes going to a musical or drama performance or the Allen Art Museum, walking around campus to see my old haunts and seeing how the college evolves. As someone who studied Biology, Sociology and Anthropology, I would enjoy learning about how those disciplines are different today. I would like to know what life is like in a co-op these days.  Maybe there is a way for alumni to do this in a time and place other than a reunion. 

 


10/15/23 08:45 AM #301    

 

Tom Thomas ('69)

Liz, the section formerly entitled Photo Gallery isn't easy to update, so today we've changed its title to Picture Collections to avoid confusion with personal Photo Galleries. Each Classmate Profile has a gallery available! And we've added a section entitled How to Post Photos to explain the process.


10/15/23 01:10 PM #302    

 

Robert Baker

I'm with Liz. I would also like to know how to post photos to the Picture Collections. There's no indication of how to post on that page, and the How To Post Photos page only tells how to do it on your profile page. 

 


10/15/23 01:18 PM #303    

Douglas Hardy

Myra;

Thanks for sharing yiour memories of your trips to Oberlin.

Doug Harxy


10/15/23 05:50 PM #304    

 

Tom Thomas ('69)

Bob, we've now turned on the somewhat-confusing instructions embedded in the Picture Collections page, and we've used them to create a new group titled Oct. '23 Community. Hope this works!


10/16/23 12:50 PM #305    

 

Daniel Miller

Tom,

Click the gallery images below to enter the gallery. Then click the "Create Your Own Photo Gallery Here" button at the bottom of the page to participate.

There is no "Create Your Own Photo Gallery Here" button


10/16/23 12:54 PM #306    

Judith Klavans

Yay!  The new directory is the way to go!  Thanks for making this clearer.  Now we just need more pics.

Judy


10/16/23 02:53 PM #307    

 

Robert Baker

Dan, It's still pretty clunky; but the button seems to be at the bottom of "October '23" gallery only  I added some of my travel photos from over the years.  Still not clear how to create a new gallery.

 

 


10/17/23 12:49 PM #308    

 

Christopher Keys

Hi Classmates,

Following up on Ted's query and Liz's comment, I had the good fortune to take a class during our recent reunion. It was a class on Latinx Art History. The professor was very knowledgeable about the Puerto Rican Independance Movement especially in the 60s and 70s in New York city. She focused on several photographers who took pictures of the Puerto Rican commnity during that time. One well known white pohotographer was noteworthy for the respect he showed the community in obtaining permission for including community members in his photos and sharing them with the community. However his photos mostly illustrated the cultural disadvantage rhetoric popular at the time among liberal whites. The professor compared his poverty as problamtic approach with that of photographers from within the Puerto Rican communinty who iincluded more photos of the strengths of the community and its positive cultural events. They illustrated Puerto Rico Libre and related themes. This kind of critical comparison approach really engaged the students and led to a rich experience for me.  I did not recall any course or class session as relevant during my four years at Oberlin. Relevant events were decidedly only extracurricular then. To the extent that this session was representative of today's current classes, I think Oberlin has gained rather than lost a step or three since the 60s.

 

Chris


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